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The svara of Madhyam is tivra and Shuddha. In fact Madhyam is the only tivra svara in the Saptak. It is said that Shadja is the basic svara from which all the other six svaras are produced. Breaking the word Shadja yields Shad And Ja. It means that Shad is six and ja is 'giving birth' in Marathi. [3] So basically the translation is :
The vadi of this raga is pancham and the samavadi is rishabh. Raag Purvi's structure is very close to that of raga Puriya Dhanashree therefore in order to differentiate between the two shuddha madhyam is often used in raga purvi unlike the teevra madhayam used in raga Puriya Dhanashree. The gayan samay or the time of singing this raga is at dusk.
There are numerous parallels between the discourses in the Madhyama Āgama and discourses in the Sutta Piṭaka. [6]...of the two hundred and twenty-two sutras of T. 26, only one hundred and three have their counterpart in the Majjhimanikāya; fourteen have their counterpart in the Dīghanikāya, seventeen in the Saṃyuttanikāya, and eighty-seven in the Aṅguttaranikāya.
Saptak means "gamut" or "the series of seven notes".It denotes the set of swaras i.e. Shadja (Sa), Rishabha (Ri), Gāndhāra (Ga), Madhyama (Ma), Panchama (Pa), Dhaivat (Dha), Nishada (Ni), Shadja (Sa) which comprise a musical scale in Indian classical music.
Pancham is the immediate next svara of Madhyam (Ma). The svara of Pancham is never Komal; It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Sanskrit. [4] So basically the translation is :
The play has been translated into English a handful of times. The majority of the texts below include English introductions and notes. Janvier, E. P. (1922). The Madhyama Vyayoga; a drama composed by the poet Bhasa. Mysore: Wesleyan Mission Press. Devadhar, C. (1957). Madhyamavyayoga; a Sanskrit drama, a one act play attributed to Bhasa. Poona ...
Madhya is a Sanskrit word meaning "middle". It is cognate with Latin med-iu-s and English mid. The -ma suffix is a superlative, giving madhyama the meaning of "mid-most" or "medium". The -ka suffix is used to form adjectives, thus madhyamaka means "middling".
Many loanwords are of Persian origin; see List of English words of Persian origin, with some of the latter being in turn of Arabic or Turkic origin. In some cases words have entered the English language by multiple routes - occasionally ending up with different meanings, spellings, or pronunciations, just as with words with European etymologies.