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Bartolomé Calatayud (8 September 1882– 11 April 1973) was a Spanish classical guitar composer, teacher and performer. He was born in 1882 on the island of Mallorca. [1] In 1899, while still a teenager, he was awarded the Diploma of Honour 1st Class by the Workers Instructive Centre Palma for his "superior musical knowledge in guitar playing."
In 2019 they released “Asi de Facil” which contains 16 songs followed by “Mexicano Hasta La Madre” in 2020. In 2021 “Zapateado Endemoniado” with 20 songs and “Que Toque Mi Banda Jerez (13 songs). 2022 was a year for EPs releasing two 4 song EPs titled “ En Vivo Con la Vallarta Show y Marco Flores “ and “Arrasando ...
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The origin of the Guitarrón Chileno may date back to the 16th century. Although the name suggests an instrument derived from the guitar, the design, tuning, and playing technique of the instrument are more closely linked to a common ancestor of the guitar, the vihuela of the Renaissance and Baroque.
Cancionero en LaCuerda.net Archived 20 February 2007 at the Wayback Machine "Alejandro Silva llega cargado de guitarras" Article in Crónica de Chile; Guitarristas – Alejandro Silva – El Rincón del Guitarrista "En Chile queda mucho trabajo para inculcar cultura rockera" Interview.
After the 1972 earthquake, he founded the "Taller de Sonido Popular" together with Humberto Quintanilla, Milcíades Poveda Herrera, Enrique Duarte, Silvio Linarte and Pablo Martínez Téllez (El Guadalupano) and joined the group "Gradas". As a member of the "National Song Salvation Brigade" he followed the path of rescuing many Nicaraguan ...
Jiménez started to write the song at the age of 18 after a broken romance. [1] The lyrics begin "Me cansé de rogarle...". In 1948, while he was working as waiter in a restaurant called La Sirena, in Santa María de la Rivera, he met the singer Miguel Aceves Mejía. He then asked him to hear some of his songs, since he was also a composer.
In Argentina, the movement was founded under the name Nuevo Cancionero and formally codified on 11 February 1963 when fourteen artists met in Mendoza, Argentina to sign the Manifiesto Fundacional de Nuevo Cancionero. Present were both musical artists and poet writers. The Argentine movement especially was a musico-literal.