Search results
Results from the WOW.Com Content Network
12 canciones de García Lorca para guitarra (12 Songs by García Lorca for Guitar) is an album by Paco de Lucía and Ricardo Modrego. It is the second of three collaboration albums between the duo. It is the second of three collaboration albums between the duo.
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
In 1982 his piece "Danças Para Uma Guitarra" was choreographed by Vasco Wellenkamp for the Gulbenkian Ballet. [5] In 1983 Paredes released the live album Concerto em Frankfurt, recorded in a concert at the Frankfurt Opera. [10] In 1986 he released a collaboration album with Portuguese composer António Victorino de Almeida, titled Invenções ...
Three main types of merengue are played in the Dominican Republic today. Merengue típico, which is usually called perico ripiao, is the oldest style commonly played.The other two types are merengue de orquesta (big-band merengue) and merengue de guitarra (guitar merengue).
The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
Pedro Anibal de Oliveira Gomes, better known as Pepeu Gomes (born February 7, 1952, in Salvador, Bahia state) is an accomplished Brazilian guitar player, multi-instrumentalist and composer.
"Lost in Spain" (El Payo Guitarra Mix) – 4:18; German 12-inch promotional single [42] A1. "Vamos a la playa" (Playa Goes Guitarra Mix) – 5:29 A2. "Vamos a la playa" (Vamos is a Rhythm Remix) – 5:40 B. "Get Into the Groove" (Tales of Dance Mix) – 6:04. German 12-inch maxi-single [43] A. "Vamos a la playa '92" (Till N' Tiel Party Mix ...
In 1970, he would dedicate the poem "Elegia para Cantar" to her. Between January and September 1954, Parra hosted the immensely successful radio program Sing Violeta Parra for Radio Chilena. The program was most often recorded in places where folk music was performed, such as her mother's restaurant in Barrancas.