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Ubaldo Matildo Fillol ([uˈβaldo maˈtildo fiˈʎol]; born 21 July 1950), nicknamed el Pato (in English: "the Duck"), is an Argentine football coach and former goalkeeper.He took part in the 1974, 1978 (where he won the championship with his team and was voted Best Goalkeeper) and 1982 World Cups representing the Argentina national team.
Jesús Enrique Emilio de la Helguera Espinoza was born to Spanish economist Alvaro Garcia Helguera and Maria Espinoza Escarzaga on May 28, 1910, in Chihuahua, Mexico. He lived his childhood in Mexico City and later moved to Córdoba in the state of Veracruz.
Los españoles comiendo y ayunando a través de la historia, 1997; El fraude de la Sábana Santa y las reliquias de Cristo, 1997; La España del 98. El fin de una era, 1997; Amor y sexo en la antigua Grecia, 1997; La España de las libertades, 1997; Coitus interreptus, 1997; La vida amorosa en Roma, 1996; La vida y la época de los Reyes ...
Embrace of the Serpent (Spanish: El abrazo de la serpiente) is a 2015 internationally co-produced adventure drama film directed by Ciro Guerra, and written by Guerra and Jacques Toulemonde Vidal.
He is known affectionately as "El Pato" in Spanish ("The Duck") for his waddling gait. He is a two-time major champion, with wins at the U.S. Open in 2007 and the Masters in 2009; he was the first Argentine and South American to win either. [2] He also lost in a sudden death playoff at the Masters in 2013.
Guzmán backed Adolfo de la Huerta's 1923 unsuccessful rebellion against Obregón and Calles, and was forced into exile to Spain for a decade, becoming a Spanish citizen. He again became involved in journalism, but his largest contribution to writing was his work of revolutionary fiction, El águila y la serpiente .
Pato, also called juego del pato (Spanish pronunciation: [ˈxweɣo ðel ˈpato], literally "duck game"), is a game played on horseback that combines elements from polo and basketball. Since 1953 it has been the national sport of Argentina .
How to Read Donald Duck (Spanish: Para leer al Pato Donald) is a 1971 book-length essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as capitalist propaganda for American corporate and cultural imperialism.