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TEAC is known for its audio equipment, and was a primary manufacturer of high-end audio equipment in the 1970s and 1980s. During that time, TEAC produced reel-to-reel machines, cassette decks, CD players, turntables and amplifiers. TEAC produced an audio cassette with tape hubs that resembled reel-to-reel tape reels in appearance.
A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable audio system or a part of a home component system .
The C64S tape adapter lets you connect your tape deck to a PC parallel port. [22] The Cassadapt tape adapter allows to convert tape programs (T64 and PRG) from a PC to either the Commodore 64 or a C2N tape deck. [23] Disk connector adapters. The 1541-III is a PIC microcontroller controlling a MMC/SD card with .D64 files. It does however NOT ...
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California.TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio, the first cassette-based multi-track home studio recorders.
Elcaset recorder released by Sony under the WEGA brand. The cassette itself looks similar to a compact cassette, only larger—about twice the size. [4] Like the earlier RCA tape cartridge, it contained 1 ⁄ 4 inch (6.4 mm) tape running at 3 + 3 ⁄ 4 inches per second (9.5 cm/s), twice the width and twice the speed of a compact cassette, providing greater frequency response and dynamic range ...
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.
Another type of cassette adapter is the Bluetooth cassette adapter. It has the shape of a standard cassette, but has a built-in audio Bluetooth receiver module, a simple power supply to allow charging and power and a small battery. Usually, they may power on when the cassette player is set on play, and power off when the cassette player is stopped.