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The baqueteo is in fact, is an embellishment of clave, as it contains all of that key pattern's strokes. The baqueteo is shown below with both cells contained within a single measure. An example of baqueteo in popular music is the introduction of the 1994 hit "Come Out and Play" by American punk rock band The Offspring. Basic baqueteo timbales part
Key patterns are generated through cross-rhythm. [13] They typically consist of 12 or 16 pulses, and have a bipartite structure, which evenly divides the pattern into two rhythmically opposed cells of 6 or 8 pulses each. [14] The key pattern defines the musical period; the first cell is antecedent, and the second is consequent.
The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2 4, as it is written in Brazil. In North American charts it is ...
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
Pair of claves. The most fundamental rhythmic element in salsa music is a pattern and concept known as clave.Clave is a Spanish word meaning 'code,' 'key,' as in key to a mystery or puzzle, or 'keystone,' the wedge-shaped stone in the center of an arch that ties the other stones together. [2]
Key pattern is the generic term for an interlocking geometric motif made from straight lines or bars that intersect to form rectilinear spiral shapes. [ 1 ] [ 2 ] [ 3 ] According to Allen and Anderson, the negative space between the lines or bars of a key pattern “resemb[es] the L- or T-shaped slots in an ordinary key to allow it to pass the ...
The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard pattern. [19] [20] [21] The standard pattern, composed of two cross-rhythmic fragments, is found both in simple (4 4 or 2 2) and compound (12 8 or 6 8) metrical structures. [22]
[a] It is the same pattern as the previous figure, but the strokes occur at half the rate. Drum pattern based on 1.5:4 cross-rhythm (Play ⓘ). Ewe gankoqui bell. The following bell pattern is used in the Ewe rhythm kadodo. [11] The pattern consists of three modules—two pairs of strokes, and a single stroke. The three single stroke are muted.