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Usually a sentence refers to musical spans towards the lower end of the durational scale; i.e. melodic or thematic entities well below the level of movement or section, but above the level of motif or measure. The term is usually encountered in discussions of thematic construction. In the last fifty years, an increasing number of theorists such ...
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. [1] Originally, it referred to a version of a song released around the same time as the original in order to compete with it.
An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games. Listening to music is a common means of entertainment.
Computer music. Hyperpop. Internet meme. Dance music. Slow dance. Drug use in music. Incidental music or music for stage and screen: music written for the score of a film, play, musicals, or other spheres, such as filmi, video game music, music hall songs and showtunes and others.
Contrafactum. In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
Most definitions of music include a reference to sound and a list of universals of music can be generated by stating the elements (or aspects) of sound: pitch, timbre, loudness, duration, spatial location and texture. [ 22 ]). However, in terms more specifically relating to music: following Wittgenstein, cognitive psychologist Eleanor Rosch ...
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm'); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.