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Alastor (/ ə ˈ l æ s t ər,-t ɔː r /; Ancient Greek: Ἀλάστωρ, English translation: "avenger" [1]) refers to a number of people and concepts in Greek mythology: [2]. Alastor, an epithet of the Greek God Zeus, according to Hesychius of Alexandria and the Etymologicum Magnum, which described him as the avenger of evil deeds, specifically familial bloodshed.
The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.
Girra, god of fire in Akkadian and Babylonian records; Gibil, skilled god of fire and smithing in Sumerian records; Ishum, god of fire who was the brother of the sun god Shamash, and an attendant of Erra; Nusku, god of heavenly and earthly fire and light, and patron of the arts; Shamash, ancient Mesopotamian Sun god
Alastor, or The Spirit of Solitude is a poem by Percy Bysshe Shelley, written from 10 September to 14 December in 1815 in Bishopsgate, near Windsor Great Park and first published in 1816. The poem was without a title when Shelley passed it along to his contemporary and friend Thomas Love Peacock .
Hesiod's Theogony, (c. 700 BC) which could be considered the "standard" creation myth of Greek mythology, [1] tells the story of the genesis of the gods. After invoking the Muses (II.1–116), Hesiod says the world began with the spontaneous generation of four beings: first arose Chaos (Chasm); then came Gaia (the Earth), "the ever-sure foundation of all"; "dim" Tartarus (the Underworld), in ...
In Ancient Greek mythology, Olethros / ˈ ɒ l ɪ ˌ θ r ɒ s / (Greek: ὄλεθρος) was the Greek concept or personification [citation needed] of "havoc" or "ruin". Olethros translates roughly in ancient Greek to "destruction", but often with a positive connotation, as in the destruction required for and preceding renewal.
The Greek word κήρ means "the goddess of death" or "doom" [2] [3] and appears as a proper noun in the singular and plural as Κήρ and Κῆρες to refer to divinities. Homer uses Κῆρες in the phrase κήρες θανάτοιο, "Keres of death". By extension the word may mean "plague, disease" and in prose "blemish or defect".
The term "dying god" is associated with the works of James Frazer, [4] Jane Ellen Harrison, and their fellow Cambridge Ritualists. [16] At the end of the 19th century, in their The Golden Bough [4] and Prolegomena to the Study of Greek Religion, Frazer and Harrison argued that all myths are echoes of rituals, and that all rituals have as their primordial purpose the manipulation of natural ...