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According to lead singer, Matt Thiessen, the album was created with a "Five" theme, as it is the band's fifth album, and for the first time Relient K has five members on an album. The "Seven Years Ago" links with the fact that the group's first album was created seven years prior to the release of this album, making for five albums in seven years.
[12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...
[7] [8] [9] Relient K has found commercial success with their studio albums, three of which peaked in the top 15 of the U.S. Billboard 200 chart: 2004's Mmhmm, which debuted at No. 15, 2007's Five Score and Seven Years Ago, their fifth and most successful album, which debuted at No. 6; and 2009's Forget and Not Slow Down, which debuted at No. 15.
Two Lefts Don't Make a Right...but Three Do (often called Two Lefts) is the third full-length album released by Christian rock band Relient K.The album was nominated for a Grammy for Best Rock Gospel Album, but the award that year ended up being won by Worldwide by Audio Adrenaline.
Cmaj11: C-F-C-G-B-E (used by Soundgarden on the song "4th of July") Cm add4: C-F-C-G-C-D# (used by This Town Needs Guns on "Baboon" and "Lemur") Open Page/Csus2/Gsus4: D-G-C-G-C-D (used by Jimmy Page in "The Rain Song") Dm7: D-A-D-F-A-C (used by Richie Havens in "From the Prison") [24] Dm9: D-A-D-F-C-E; Dm add9: D-A-D-F-A-E (used by Opeth on ...
All Work & No Play is the demo CD released by the Christian rock band Relient K in 1998. It caught the attention of dcTalk 's Toby McKeehan , who subsequently signed them to Gotee Records . Seven of the eleven tracks on this album were eventually remade on either the band's first or second full-length albums.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
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