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A confessional is a box, cabinet, booth, or stall where the priest in some Christian churches sits to hear the confessions of penitents. It is the typical venue for the sacrament in the Roman Catholic Church and the Lutheran Churches , [ 1 ] [ 2 ] but similar structures are also used in Anglican churches of an Anglo-Catholic orientation.
After renovation, the church interior has gained new equipment, including an altar from a Poznań workshop Roman, new benches, stalls, kneelers, confessional s and a pulpit realized using older sculptural elements. On the Matroneum has been mounted a six scale organ. [7]
A confessional is a stylistic device used in many reality television shows. It is a type of aside, consisting of cutaways to a close-up shot of one (or occasionally more) cast members talking directly to camera. Confessionals are used to provide narration, exposition, and commentary on ongoing action within the show. [1]
Confessional is a British espionage thriller television miniseries starring Robert Lindsay, Keith Carradine, Simon Chandler, Robert Lang, ...
The Missal, by John William Waterhouse (1902), depicts a woman kneeling on a prie-dieu, a piece of furniture with a built-in kneeler. A kneeler is a cushion (also called a tuffet, hassock, genuflexorium, or genuflectorium) or a piece of furniture used for resting in a kneeling position during Christian prayer.
A confessional is a small, enclosed booth used for confession. Confessional may also refer to: Confessional (television), common interview practice in reality television; The Confessional, a Canadian film from 1994; The Confessional, a 2008 mixtape by Bishop Lamont; Confessional, a 1989 ITV drama television series
House of Mortal Sin (also known as The Confessional, The Confessional Death's Door and The Confessional Murders) is a 1976 British horror slasher film directed and produced by Pete Walker. It was scripted by David McGillivray from a story by Walker.
Confessional is a 2007 mockumentary indie film by Jerrold Tarog and Ruel Dahis Antipuesto. It won Best Film in the First Features Section of 10th Osian Festival of Asian and Arab Cinema in New Delhi .
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