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Into the Woods is the soundtrack album to the 2014 Walt Disney Pictures musical fantasy film of the same name.The album features music written and composed by Stephen Sondheim, and featuring vocals from the film's ensemble cast including Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Daniel Huttlestone, Lilla Crawford, MacKenzie Mauzy, Tracey Ullman, Christine ...
The LA Times thought the song was "remarkable". [11] While claiming that the song has the potential to come across as "unearned sentimentality", Variety thought the crew of the original stage version managed to turn the song into an "affirmation of the newfound society of sorts that represents a clearing in the woods". [12]
Stephen Sondheim circa 1970. Stephen Sondheim was an American composer and lyricist whose most acclaimed works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Sunday in the Park with George (1984), and Into the Woods (1987).
It was accompanied by the first single "Moments in the Woods" performed by Sara Bareilles. [ 3 ] [ 4 ] It was released digitally by Concord Music Group and Craft Recordings on September 30, 2022. [ 2 ] [ 5 ] It was released in CD on November 25, 2022, and a two-disc vinyl LP was released on March 17, 2023.
Into the Woods is a 1986 musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical intertwines the plots of several Brothers Grimm fairy tales , exploring the consequences of the characters' wishes and quests.
Also used by Andrew Peterson on his song "Faith to be Strong" and by Macseal on multiple songs.) Dobro Open G: G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings). Russian-guitar Open G: The tuning of the Russian guitar; D-G-B-D-G-B-D is an open G tuning, approximately in major thirds. [12] [13]
The D major scale has C# and F#, whilst the key of G only has F#. Because there is a C# present (and definitely an F#), we can infer that the key is D major. Thus, seeing as G is the IV of D, it seems the progression was written as "I-IV". It should have been written as IV-I, as a result of the chord progression being Gmaj7 to Dmaj7.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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