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Apparently the last people to leave, they enter the same elevator on different floors and make small talk. On the way down, the elevator abruptly stops, seemingly due to the thunderstorm outside. With no cell phone signal, they worry they'll be stuck in the elevator together until Tuesday morning, as Monday is President's Day.
Down (re-titled The Shaft on US releases) is a 2001 science fiction horror film written and directed by Dick Maas and starring James Marshall, Naomi Watts, and Eric Thal.It is a remake of the 1983 Dutch-language film De Lift, which was also directed by Maas.
Nine people board an elevator in a New York City skyscraper 52 stories tall: security guard Mohammed, television reporter Maureen and her fiance Don, comedian George, newly widowed Jane, overweight employee Martin, pregnant Celine, and the building owner Henry Barton with his spoiled ten-year-old granddaughter Madeline, who are on their way to a company party on the top floor.
2. Ferris Bueller's Day Off (1986). Director: John Hughes Cast: Matthew Broderick, Alan Ruck, Mia Sara Rating: PG-13 The classic teen comedy follows class-cutting connoisseur Ferris Bueller ...
As she stands in the chair, the securing bolt disconnects and the lift falls to a few meters above the ground, now held aloft by a single tether wire. Parker jumps from the chair, but unable to bear the load, the tether snaps and the chair falls, crashing onto Parker's ankle, though she has fallen safely to the ground.
The movie, based on a Pulitzer Prize-winning novel, was remade in 2006, a version poorly reviewed despite an all-star cast that includes Sean Penn, Jude Law, Kate Winslet and Anthony Hopkins. 28 ...
Devil is a 2010 American supernatural horror film directed by John Erick Dowdle.The screenplay by Brian Nelson was from a story by M. Night Shyamalan.Starring Chris Messina, Logan Marshall-Green, Geoffrey Arend, Bojana Novakovic, Jenny O'Hara, and Bokeem Woodbine, the film revolves around five strangers who become trapped in an elevator.
Kevin Hart’s new movie “Lift” is fine for what it is, featuring a heist designed for light escapism. Yet it’s also a prime example of the Netflix algorithm at work: using data to determine ...