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While her headdress illustrates popular styles in Ottoman women's headwear at the time, her clothing remains very similar to European-style clothing. This was a popular way to depict women, specifically sultanas. [2] Many factors contributed to changes in Ottoman women's garments, including the cost of materials and firmans, or
Many of the officials affiliated with the government were encouraged to wear a more western style of dress. Many of the reforms were attempts to adopt successful European practices. The reforms were heavily influenced by the Napoleonic Code and French law under the Second French Empire as a direct result of the increasing number of Ottoman ...
Men may wear the traditional loose coat, called shlyapa, over the şalvar. Other upper garments are also worn over or under the şalvar. Mustafa Kemal Atatürk Westernized the dress code in Turkey in the 1920s as part of his reforms. However, men and women still wear the şalvar in many areas of Turkey, indifferent to social status. [1]
A fez. The fez (Turkish: fes, Ottoman Turkish: فس, romanized: fes), also called tarboosh/tarboush (Arabic: طربوش, romanized: ṭarbūš), is a felt headdress in the shape of a short, cylindrical, peakless hat, usually red, typically with a black tassel attached to the top.
It was worn by the Ottoman warrior over a cloth turban. The distinctive shape of the turban helmets was achieved by forging a single plate of steel or iron. The helmet tapers to a point at the top where a separately forged finial was attached. Turban helmets have two curves on the rim that act as openings for the eyes.
Turkish thumb rings were made of wood, metal, ivory, bone, horn or leather. These rings signified that the person wearing them was a warrior. In time they became a symbol of prestige in Ottoman society, and some later examples have so much ornamentation on the surface from which the bowstring slides that they could not be used to shoot with.
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Reconstruction of an Ottoman style library, in the Topkapı Palace museum. As with many Ottoman Turkish art forms, the poetry produced for the Ottoman court circle had a strong influence from classical Persian traditions; [1] a large number of Persian loanwords entered the literary language, and Persian metres and forms (such as those of Ghazal) were used.