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The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV , for whom the chapel is named.
The Sistine Chapel has maintained its function to the present day and continues to host the important services of the Papal Calendar, unless the Pope is travelling. There is a permanent choir, the Sistine Chapel Choir, for whom much original music has been written, the most famous piece being Gregorio Allegri's Miserere. [11]
Sistine Chapel ceiling The Battle of Cascina is a painting in fresco commissioned from Michelangelo for the Palazzo Vecchio in Florence. He created only the preparatory drawing before being called to Rome by Pope Julius II , where he worked on the Pope's tomb ; before completing this project, he returned to Florence for some months to complete ...
Renaissance figure Michelangelo may have depicted a woman suffering from breast cancer in a famous fresco of a biblical flood on the ceiling of the Sistine Chapel, according to researchers.. The ...
Frederick Hartt (May 22, 1914 – October 31, 1991) was an Italian Renaissance scholar, author and professor of art history.His books include History of Italian Renaissance Art, Art: A History of Painting, Sculpture, and Architecture (two volumes), Michelangelo (Masters of Art Series), The Sistine Chapel and The Renaissance in Italy and Spain (Metropolitan Museum of Art Series).
The Florentines started to work in the Sistine Chapel as early as spring 1481, along with Pietro Perugino, who was already there. The theme of the decoration was a parallel between the lives of Moses and Christ, as a sign of continuity between the Old and the New Testament .
Pope Francis is set to feature in a documentary filmed in the Sistine Chapel about the universal power of pop culture and the performing arts, titled “Preacher of Beauty: A Spiritual Journey ...
The Florentines started to work in the Sistine Chapel as early as the Spring of 1481, along with Pietro Perugino, who was already there. Detail of the fresco. The theme of the decoration was a parallel between the Stories of Moses and those of Christ, as a sign of continuity between the Old and the New Testament.