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2. Half-frame camera - Wikipedia

   en.wikipedia.org/wiki/Half-frame_camera

   The Auto Reflex SLR gives access to the full Konica AR lens library in half frame, and additionally Nikon F, M42, and Leica M mount with adapters under the provision of stop down metering. Konica at the time created a camera with some deliberation, so that due to its lens flange register, and therefore mount distance, it could be used by ...

3. Mat (picture framing) - Wikipedia

   en.wikipedia.org/wiki/Mat_(picture_framing)

   In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass.

4. 135 film - Wikipedia

   en.wikipedia.org/wiki/135_film

   135 film. The film is 35 mm (1.4 in) wide. Each image is 24×36 mm in the most common "small film" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format or full frame after the introduction of 135 sized digital sensors; confusingly, "full frame" was also used to describe the full gate of the movie format half the size).

5. Canon RF lens mount - Wikipedia

   en.wikipedia.org/wiki/Canon_RF_lens_mount

   Canon full-frame cameras have used the EF lens mount since 1987. In comparison with that mount, the RF mount's inner diameter is the same at 54 mm. [1] The RF mount's flange focal distance at 20 mm is much shorter than that of the Canon EF and EF-S mounts at 44 mm. The EF-M mount has a flange focal distance of 18 mm.

6. AOL Mail

   mail.aol.com

   Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

7. List of films with high frame rates - Wikipedia

   en.wikipedia.org/wiki/List_of_films_with_high...

   This is a list of films with high frame rates. Only films with a native (without motion interpolation ) shooting and projection frame rate of 48 or higher, for all or some of its scenes , are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.