Search results
Results from the WOW.Com Content Network
"Opus 17" was the first hit with new full-time bassist and bass vocalist Joe Long. [4] The title meant that this was the 17th single released by the Four Seasons.
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Responds much better to love. After Harrison has named Rolling Stone as the main perpetrator of his anguish, [ 43 ] [ 53 ] Leng suggests that he is unable to sustain the previous "artifice", whereby the lyrics' shift in perspective from first-person to third-person represented the apparently "happy" private man versus the "wounded" musician, as ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation , the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.
For Alessia Cara, releasing her new album almost feels like riding a bike again. "It's just a little more wobbly, and I'm more nervous because it's been a longer time in between," the Grammy ...
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
Don't Worry 'Bout Me" is a 1938 song composed by Rube Bloom, with lyrics written by Ted Koehler. It was introduced in the "World's Fair" edition of the Cotton Club show in 1939. The first hit recording was in 1939 by Hal Kemp and His Orchestra (vocal by Bob Allen).