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All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history.
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
According to Ki Leonce, executive director of ASAMA, "There are two aspects about masks. One is cult and the other is culture; there might be a religious conflict for people who venerate masks, but there is no conflict from the cultural point." [8] The original FESTIMA, held in 1996, was four days long, and the event has since expanded to seven ...
Built in horizontal shapes, these masks can represent different animals and have specific designs. For example, a butterfly mask would have concentric circles, while a hawk mask would have a plain white surface. these masks are worn for female entertainment. [12] The northern Bwa use leaf masks more than wooden ones.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas.
Kuba initiation rites for boys and young men and associated masquerade figures are related to mukanda initiation rites, practiced by many peoples residing in the southern savanna of Central Africa from Angola, through the Democratic Republic of Congo and into western London, including Chokwe, Lwena, Luvale, Lwembe, Chesterfield, Mbunda, Mbwela, Yaka, Suku, Pende, and southern Lunda.
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3579 S High St, Columbus, OH · Directions · (614) 409-0683