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The episode was watched by 2.25 million viewers, earning a 0.9 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.9 percent of all households with televisions watched the episode. [2] This was a 13% increase from the previous episode, which was watched by 1.99 million viewers with a 0.8 in the 18-49 demographics. [3]
The premiere episode was cited by The New York Times as a "Critic's Pick" by Caryn James, who noted that it was "a drama sleek, suspenseful and absorbing enough to overcome its blatant gimmick". She added that of the 2001 fall season's new government series that " 24 is the most daring and promising" and that "Mr. Sutherland is an unexpectedly ...
Note: Paul Gross intended to use the Gordon Lightfoot song "The Wreck of the Edmund Fitzgerald" in the episode and Lightfoot granted permission on the condition the families of the sailors agree. But reluctant to cause the families additional pain, Gross and Jay Semko instead wrote and composed "Robert Mackenzie" for the episode. [1]
Due South is a Canadian crime series with elements of comedy.The series was created by Paul Haggis, produced by Alliance Communications, and stars Paul Gross, David Marciano (seasons 1–2), Gordon Pinsent, Beau Starr, Catherine Bruhier, Camilla Scott, Ramona Milano, and later Callum Keith Rennie (seasons 2–4).
The episode was watched by 2.34 million viewers, earning a 1.0 in the 18-49 rating demographics on the Nielson ratings scale. This means that 1 percent of all households with televisions watched the episode. [3] This was a 12% decrease from the previous episode, which was watched by 2.64 million viewers with a 1.1 in the 18-49 demographics. [4]
The episode was watched by 1.99 million viewers, earning a 0.8 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.8 percent of all households with televisions watched the episode. [5] This was a slight increase from the previous episode, which was watched by 1.93 million viewers with a 0.8 in the 18-49 demographics ...
The episode was watched by 1.93 million viewers, earning a 0.8 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.8 percent of all households with televisions watched the episode. [2] This was a 15% increase from the previous episode, which was watched by 1.67 million viewers with a 0.7 in the 18-49 demographics. [3]
Overall, season one averaged 2.33 million viewers, [80] and its average gross audience (which includes DVR recordings, reruns, and HBO Go streaming) totaled 11.9 million viewers per episode, thus becoming HBO's highest rated freshman show since the first season of Six Feet Under 13 years earlier.
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