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The most recent journal Past/Present: American Abstract Artists Members Honor Their Predecessors is a nostalgic look back where "current members were asked to write about a deceased member they admired or who had influenced them" examining their personal history. [44] American Abstract Artist produces print portfolios by its membership.
Paul Jackson Pollock (/ ˈ p ɒ l ə k /; January 28, 1912 – August 11, 1956) was an American painter.A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
British abstract painters (31 P) Pages in category "British abstract artists" The following 47 pages are in this category, out of 47 total.
Digital art, hard-edge painting, geometric abstraction, minimalism, lyrical abstraction, op art, abstract expressionism, color field painting, monochrome painting, assemblage, neo-Dada, shaped canvas painting, are a few directions relating to abstraction in the second half of the 20th century. In the United States, Art as Object as seen in the ...
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
Image credits: Chesnot #7 Pablo Picasso (October 25, 1881 — April 8, 1973) Pablo Picasso was a Spanish artist known as one of the most influential figures of the 20th century.
Kazimir Severinovich Malevich [nb 1] (23 February [O.S. 11 February] 1879 [1] – 15 May 1935) was a Russian avant-garde [nb 2] artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. [2] [3] He was born in Kiev, modern-day Ukraine, to an ethnic Polish family.
Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas. Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of ...
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