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The song featured in the 2016 film Ghostbusters: Answer the Call. [4] The song also features in the twelfth season of RuPaul's Drag Race as a running gag, due to contestant Crystal Methyd's out-of-drag resemblance to El DeBarge. Lyrics and sample from the chorus of "Rhythm of the Night" were adopted in CNCO's song "Pretend".
Name of song, writer(s), original release, and year of release Song Writer(s) Original release Year Ref. "45 Revolutions Per Minute" [a] John Fogerty: Pendulum (40th Anniversary Edition) 2008 [1] "Bad Moon Rising" John Fogerty Green River: 1969 [2] "Before You Accuse Me" Ellas McDaniel † Cosmo's Factory: 1970 [3] "Bootleg" John Fogerty Bayou ...
Red River Valley (song) Rien que de l'eau; River (AKB48 song) The River (Delta Goodrem song) The River (Jordan Feliz song) River (Bishop Briggs song) River (Eminem song) The River (Garth Brooks song) River (Joni Mitchell song) River Deep – Mountain High; River Lea (song) The River of Dreams; River Song (Dennis Wilson song) River Song (Sherman)
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Its sung text is a poem by 13th-century Persian mystic Jalal ud-Din Rumi as translated into Polish by Tadeusz Miciński, a friend of the composer; it celebrates the beauty of the Eastern night. Although an instrumental version of the symphony was played in London in 1921, the full world premiere with chorus and tenor soloist came only 3 ...
This Joe Cocker discography lists the recordings plus live appearances of John Robert "Joe" Cocker, OBE (20 May 1944 – 22 December 2014), the English rock/blues musician, composer and actor who came to popularity in the 1960s, and was most known for his gritty voice, his idiosyncratic arm movements while performing, and his cover versions of popular songs, particularly those of the Beatles.
Song of the Night may refer to: Symphony No. 7 (Mahler) , 1904-5 symphony by Gustav Mahler, known as Lied der Nacht Symphony No. 3 (Szymanowski) , 1916 chorus and orchestra by Karol Szymanowski, known as Song of the Night ( Piosenka nocy )
Lost On The River is an album of good, sometimes excellent songs with a unique creation story which, in the end, adds little of substance to the narrative of perhaps the most mythologised recordings in history. As footnotes go, however, it’s an entertaining, energised and often fascinating one.