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Chopsticks" (original name "The Celebrated Chop Waltz") is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allan (under the pen name Arthur de Lulli). [ 1 ]
"Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy. [1] [2]It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane').
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An even less well known song that goes by the name Awaiting uses the same melody with Russian lyrics. The original version of the song was written in F Minor and B♭ minor while the Klezmer version for the accordion and clarinet is in D Minor or E Minor. Expectation is mostly made of minor notes along with relative minor thirds and sub-4th ...
The familiar first waltz melody makes a grand re-entrance, with Coda section, featuring a mocking imitation between the winds, and the strings, before its breathless finish, strong chords and the usual timpani drumroll and warm brass flourish. This is one of the very few Strauss Waltzes that ends, following the cadenza, on a struck quick Major ...
Such a move would also benefit sheet music publishers who can sell the piano editions of the new works to the public who can readily identify individual music pieces. The waltz incorporated the more popular numbers from the operetta, with the melody "Ja, so singt man" comprising the entire first waltz section.
Waltz 3A and 3B (F major) is more robust and quicker than the previous sections whereas waltz 4A in B-flat major is quiet and brooding. Waltz 4B erupts in joy for a brief section and proceeding to repeat waltz 4A. Waltz 5A is the climax of the work, in E-flat major and is punctuated with the brass instruments, particularly the trombones.
While the regiment was stationed in Samara in 1906, he made the acquaintance of Oskar Knaube (1866–1920), a local music shop owner, who helped the composer to publish his work and later acquired ownership of it. The waltz achieved colossal success and Knaube boasted of having published some 82 different editions of the piece. [2]
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