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IMAX Melbourne is an IMAX movie theatre in Carlton, Melbourne, Australia. It is the largest IMAX theatre in the Southern Hemisphere and the second largest in the world by screen size and capacity. [1] [2] [3] [a] It is owned and operated by Museums Victoria and is located eight storeys beneath the Melbourne Museum.
The first movie IMAX Corporation produced using this new technology was Tiger Child, which was featured at Expo '70 in Osaka, Japan. [14] It was because of the multi-screen viewing that Graeme Ferguson, Roman Kroitor and Robert Kerr wanted to create a theatre with giant screens, surround sound and stadium seating.
Phantom 65 IMAX 3D [68] Gone with the Bullets: 18 December 2014: 3D: Phantom 65 IMAX 3D [69] Captain America: Civil War: 6 May 2016: ARRI Alexa IMAX. Converted to 3D. [70] Sully: 9 September 2016: ARRI Alexa IMAX [71] Transformers: The Last Knight: 21 June 2017: 3D: ARRI Alexa IMAX [72] The Lion King: 19 July 2019: 3D: ARRI Alexa IMAX [73] [74 ...
Wehrenberg Theatres was a movie theater chain in the United States. It operated 15 movie theaters with 213 screens in the states of Missouri, Illinois, Iowa, Arizona and Minnesota, including nine theaters with 131 screens in the St. Louis metropolitan area.
AMC Entertainment Holdings, Inc. (doing business as AMC Theatres, originally an abbreviation for American Multi-Cinema; often referred to simply as AMC and known in some countries as AMC Cinemas or AMC Multi-Cinemas) is an American-Chinese movie theater chain founded in Kansas City, Missouri, and now headquartered in Leawood, Kansas. It is the ...
Set to be released in an IMAX Enhanced version on 4K Blu-ray. [580] First Man: 12 October 2018 **+ 10-minute Lunar Sequence filmed with IMAX 70mm cameras and presented in a 1.43:1 aspect ratio at IMAX GT venues with Laser. [590] [602] Premiered at the Toronto International Film Festival in IMAX at the Ontario Place Cinesphere on 9 September ...
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
The system is capable of delivering up to 48 cd/m 2 on unity-gain matte-white screens for 3D (and up to 106 cd/m 2 for 2D), a substantial improvement on current generation 3D systems which deliver in the range of 10 to 14 cd/m 2 for 3D. The result is improved brightness, colour, and contrast compared to traditional xenon projectors.