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If justice is getting what one is due, then the basis of desert must ultimately be undeserved. However, desert is a relational concept that expresses a relationship between a deserved [clarification needed] and a basis of desert. It simply destroys the character of desert to demand, as Rawls does, that the basis of desert be itself deserved.
The correlation between aridity and sparse population is complex and dynamic, varying by culture, era, and technologies; thus the use of the word desert can cause confusion. In English before the 20th century, desert was often used in the sense of "unpopulated area", without specific reference to aridity; [2] but today the word is most often ...
Desert Places" is a poem by Robert Frost. It was originally written in 1933 and appeared in The American Mercury in April 1934, [ 1 ] before being collected in Frost's 1936 book A Further Range . The book was awarded the Pulitzer Prize in 1937 .
The ascetic sea desert (heremum in oceano) appears in Adomnán’s Life of Columba or The Voyage of Saint Brendan, an entirely seaborne tale cognate with the Irish immram or maritime pilgrimage tale. [b] The Old English poem The Seafarer has a similar background. Sermons sometimes speak of the sea of the world and the ship of the Church, and ...
Ha (Ancient Egyptian: ḥꜣ), in ancient Egyptian religion, was a god of the Western Desert & the fertile oasis of Western Desert of Egypt. He was associated with the Duat (the underworld) and pictured as a man wearing the hieroglyph symbol for desert hills on his head. Ha was said to protect Egypt from enemies such as invading ancient Libyans ...
For Abbey, the desert is a symbol of strength, and he is "comforted by [the] solidity and resistance" of his natural surroundings. [19] However, he also sees the desert as "a-tonal, cruel, clear, inhuman, neither romantic nor classical, motionless and emotionless, at one and the same time – another paradox – both agonized and deeply still ...
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The statue fragment known as the Younger Memnon in the British Museum. Shelley began writing the poem "Ozymandias" in 1817, after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II removed by Italian archeologist Giovanni Battista Belzoni from the Ramesseum, the mortuary temple of Ramesses II at Thebes. [5]