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Go-Video applied for its dual-deck technology patent in 1984 and received it four years later. In 1987 Go-Video had almost settled a production deal with Japanese manufacturer NEC, only to find out NEC declined any production of a dual-deck recorder after a meeting with Japan's Electronic Industry Association. Dunlap filed a lawsuit against ...
Ampex created the first D-2 video machine, the ACR-225 commercial spot player [2] working with Sony, who had done some early research into composite digital video, [3] as a cost-effective solution for TV broadcasters with large investments in composite analog infrastructure such as video routers and switchers, since it could be inserted into existing analog broadcast facilities without ...
The first portapak system, the Sony DV-2400 Video Rover, was a two-piece set consisting of a black-and-white composite video video camera and a separate record-only helical scan ½″ video tape recorder (VTR) unit. It required a Sony CV series VTR (such as the CV-2000) to play back the video. Following Sony’s introduction of the Video Rover ...
Through the 1980s and 1990s, Sony created many versions and variations in the cassette tape Walkman line [4] such as the DD series and WM series. Below is an incomplete list of cassette tape based Walkman models. Sony Walkman TPS-L2, from 1979. Sony Walkman WM-F15, released 1984. Sony Walkman WM-28, early 1980s Sony Walkman WM-F77, Circa 1986.
In Australia and New Zealand, the dual tuners support the recording of two digital over-the-air signals at the same time, whilst playing back a third. With the dual tuners, it can record or view any two sources simultaneously. For example, two over-the-air broadcasts, two cable programs, or any combination can be recorded at the same time.
TASCAM also produced a 24-track DASH recorder, the DA-800/24. With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate, although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution. The PCM-3348HR and D827 are capable ...
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D-1 or 4:2:2 D-1 (1986) was a major feat in real time, broadcast quality digital video recording. It stores uncompressed digitized component video, encoded at Y'CbCr 4:2:2 using the CCIR 601 raster format with 8 bits, [1] [2] along with PCM audio tracks as well as timecode on a 3/4 inch (19 mm) videocassette tape (though not to be confused with the ubiquitous 3/4-inch U-Matic/U-Matic SP cassette).
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