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portraits of life on the last railcar Snowpiercer: Rochette was the artist for the graphic novel the film was based on John Romita Jr. [40] "Wall of Villains" portraits Kick-Ass: Romita Jr. was one of the creators of the Kick-Ass comic series the film was based on Julian Schnabel [6] paintings in the style of Jean-Michel Basquiat: Basquiat
Sir Leslie Matthew Ward (21 November 1851 – 15 May 1922) was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which were regularly published by Vanity Fair, under the pseudonyms "Spy" and "Drawl". The portraits were produced as watercolours and turned into chromolithographs for publication in the ...
Her works often focus on important women from history, as shown in her most famous work, “The Dinner Party,” which represents 39 significant figures in the history of women artists (The ...
Robert Longo (born January 7, 1953) is an American artist, filmmaker, photographer and musician. Longo became first well known in the 1980s for his Men in the Cities drawing and print series, which depict sharply dressed men and women writhing in contorted emotion. [1] He lives in New York and East Hampton. [2] [3]
Portrait of the Artist's Mother is a painting Vincent van Gogh made in 1888 of his mother, Anna Carbentus van Gogh, from a black-and-white photograph. In September 1888, Van Gogh, answering to a letter of his sister Wil who had told him of a recent photograph of their mother, asked for a print. [ 29 ]
Marc Chagall [a] (born Moishe Shagal; 6 July [O.S. 24 June] 1887 – 28 March 1985 [b]) was a Russian and French artist. [c] An early modernist, he was associated with the École de Paris, as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art ...
Brooks's portraits starting with her 1914 self-portrait extending through The Cross of France have been interpreted as creating new images of strong women. The portraits of the 1920s in particular—cross-dressed and otherwise—portray their subjects as powerful, self-confident, and fearless. [71]
Élisabeth Vigée-Lebrun advised fellow artists to flatter women and compliment their appearance to gain their cooperation at the sitting. [14] Central to the successful execution of the portrait is a mastery of human anatomy. Human faces are asymmetrical and skillful portrait artists reproduce this with subtle left-right differences.