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Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
The history of 'found objects' as art that started in the Dadaist movement of modern art in the early 20th Century has transitioned in more recent years into "the art [sculptures] of natural conservation of Andy Goldsworthy", which comments on how modern landscapes are less focused on the natural aspects of an environment but more so on human ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, [1] largely associated with Great Britain and the United States [2] [3] [4] but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting ...
The term "arts-based environmental education" (AEE) was first coined by Finnish art educator Meri-Helga Mantere in the 1990s. Mantere describes AEE as a form of learning that aims to develop environmental understanding and responsibility “by becoming more receptive to sense perceptions and observations and by using artistic methods to express personal environmental experiences and thoughts ...
For an art piece to be characterized as kinetic it must possess one or more of the following characteristics: 1) an optical phenomena, 2) transformative, 3) movable by the observer, 4) mechanical in nature, 5) playing with light and surrounding environments, and 6) have intrinsic movement.
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Eberhard Bosslet construction drawing La Restinga II, El Hierro, 1983. Julia M. Bush emphasizes the nonfigurative aspect of such works: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer."
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