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Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
Spirals, step patterns, and key patterns are dominant motifs in Celtic art before the Christian influence on the Celts, which began around 450. These designs found their way into early Christian manuscripts and artwork with the addition of depictions from life, such as animals , plants and even humans .
Tricephalic head found at Roquepertuse, a major Celtic religious centre dated to the 3rd century BC The three faced Corleck Head, Irish, 1st century AD. Celtic stone idols are Northern European stone sculptures dated to the Iron Age, that are believed to represent Celtic gods. The majority contain one or more human heads, which may have one or ...
Ancient Celtic metalwork (2 C, 40 P) P. Pictish art (1 C, 4 P) Pages in category "Celtic art" The following 48 pages are in this category, out of 48 total.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
Archaeologists discovered a wooden Celtic burial chamber inside a southern Germany burial mound. Dated to between 620 and 450 B.C., these mounds were reserved for high-ranking individuals.
This symbol was known as the whirling sun in ancient times. [2] Enamel was a Celtic speciality, and reflects the use of red Mediterranean coral inlays in other British Celtic artefacts, such as the Witham Shield, and here may perhaps be considered as an imitation of imported coral, though the use of enamel allows a more elaborate design. Some ...
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