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Despite the support and interest in traditional Mexican ceramics, the number of artisans is dropping. In 1994, there were just over 1.5 million ceramic artisans in the country, which dropped to 50,000 by 2006. This made craftsmen almost non-existent in some states.
Traditional Tree of Life sculpture. The pottery of Metepec is that of a municipality in central Mexico, located near Mexico City.It is noted for durable utilitarian items but more noted for its decorative and ritual items, especially sculptures called “trees of life,” decorative plaques in sun and moon shapes and mermaid like figures called Tlanchanas.
During the Mexican War of Independence, the potters' guild and the ordinances of the 17th century were abolished. This allowed anyone to make the ceramic in any way, leading to a decline in quality. [3] The war disrupted trade among the Spanish colonies and cheaper English porcelain was being imported. [18] The Talavera market crashed.
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
The Sotenos are one of the families of ceramic artisans that have made Metepec an important production center in Mexico. [1] Metepec is known for sun decorations for walls, guitar-strumming mermaids, skeletal figures, animals of Noah's Ark along with other items, which attract buyers from Mexico City and Toluca .
Here and in neighboring Tlaquepaque, he introduced modern ceramic techniques, especially high-fire stoneware. He expanded the area's production from pots and jars to complete dish sets, large vases, mosaics and tiles and more. For his work, Wilmot was awarded Mexico National Prize in Arts and Sciences in 1997. [2] [3]
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