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Moko, or Maori Tattooing. digital edition from New Zealand Electronic Text Centre; Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114.
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Details regarding Karewa's birth and death are not documented. Karewa acted as a chief of the Ngāti Maru. [1] Notes maintained by Māori historian W.T. Hammond noted that in the later part of his life, he was living in Kiri Kiri, Thames, and described him as a "handsomely tattooed old Maori warrior."
Christine Harvey is a New Zealand tā moko (Māori tattoo) artist and teacher. Life and career. Harvey was born in Christchurch.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [29] which consists of monochrome spiral shapes above and below his left eye. [30] According to Tyson, it was his idea to use two curved figures rather than one. [31] The tattoo drew significant attention before the fight.
The tā moko (or ‘kauae’ for women) is a sacred facial tattoo still frequently practiced in Māori society. [9] Its name is derived from the mythological figure ‘Atua Rūaumoko’ – the latest child of Ranginui et Papatūānuku of Rarohenga. [9] [10] The origin of the art is recorded in several variations.
Early examples of Kipa's Corian tiki were shown at Auckland Art Gallery in the exhibition Hei Tiki, which explored contemporary interpretations of the customary form. [4] His contemporary hei tiki carving was featured on the New Zealand Post $1.50 stamp in the Matariki series in 2009. [5] He also makes and plays taonga pūoro. [3]
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