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Le Rat Mort ("The Dead Rat") was a popular cafe/restaurant and cabaret in Paris in the 19th and early 20th centuries. Located in the Place Pigalle in the Montmartre District, it was frequented by artists, writers, actors, artist models, and prostitutes, and was a gathering place for lesbians in the evenings.
Rosalie was produced by Alain Attal through his production company Trésor Films. In May and June 2022, the production announced searches for extras for the shooting of Stéphanie Di Giusto's next film, tentatively titled La Rosalie, starring with Nadia Tereszkiewicz and Benoît Magimel, scheduled to take place in Brittany between October and November.
Fouquet's exterior view. Fouquet's Paris is an historic brasserie restaurant in Paris, France located at 99 Avenue des Champs-Élysées.Part of Hotel Barrière Le Fouquet's Paris, the site is known for its red awnings spread over two terraces on the Champs-Élysées and Avenue George V.
Arab Coffeehouse [a] (French name: Le café Maure), is an oil-on-canvas painting by French visual artist Henri Matisse. Produced in 1913, Arab Coffeehouse was part of a series of goldfish paintings that Matisse produced in the 1910s and 1920s.
The largest (called Le Grand Teddy) shows the fashionable patrons of the cafe. [2] It was exhibited at the Jewish Museum in New York City in May, 2012. [3] It is 150 x 290 cm in an oval shape in landscape format. It is privately owned and only occasionally seen in public. [4]
Le Dôme Café in Paris. Café society was the description of the "Beautiful People" and "Bright Young Things" who gathered in fashionable cafés and restaurants in New York, Paris and London beginning in the late 19th century. Maury Henry Biddle Paul is credited with coining the phrase "café society" in 1915.
Life in the cafe was depicted by several of the artists and writers that frequented the cafe, including Diego Rivera, Federico Cantú, Ilya Ehrenburg, and Tsuguharu Foujita, who depicted a fight in the cafe in his etching A la Rotonde of 1925. A later 1927 version, Le Café de la Rotonde, was part of the Tableaux de Paris of 1929. [8]
Le Constitutionnel, the newspaper of the anticlerical left, did not hesitate to announce the death of this Daughter of Charity: "The unfortunate people of the 12th district have just experienced a regrettable loss. Sr. Rosalie, Superior of the Community at rue de l'Epée de Bois died yesterday after a long illness. For many years this ...