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By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking. [4] Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres". They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films.
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Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
This genre of film was first explored in the 1920s by Impressionists Germaine Dulac, Louis Delluc, Man Ray, Hans Richter, and others. In the mid-1960s and early 1970s this genre was further explored by the Beat Generation poets Lawrence Ferlinghetti, Allen Ginsberg, and Herman Berlandt, and developed into a festival held annually at the Fort Mason Center in California.
The Canterbury Tales (film) Carmen (2022 film) Casey at the Bat (1916 film) Casey at the Bat (1927 film) The Charge of the Light Brigade (1912 film) The Charge of the Light Brigade (1936 film) City Under the Sea; Clancy of the Mounted; The Color of Pomegranates; Cordula (film) The Cornet (film) The Courtship of Miles Standish (1923 film) The ...
In 1954, Mekas and his brother Adolfas founded the journal Film Culture, and in 1958 he began writing his "Movie Journal" column for The Village Voice.In 1962, he co-founded The Film-Makers' Cooperative, and in 1964 the Filmmakers' Cinematheque, which eventually became Anthology Film Archives, one of the world's largest and most important repositories of avant-garde film.
Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics) by Christophe Wall-romana; Cinepoems and others by Benjamin Fondane; Scenario's Charm(シナリオの魅力 Shinario No Miryoku) by Fuyuhiko Kitagawa; ASIN: B000JBAEZQ
Charles Henri Ford (February 10, 1908 – September 27, 2002) was an American poet, novelist, diarist, filmmaker, photographer, and collage artist. He published more than a dozen collections of poetry, exhibited his artwork in Europe and the United States, edited the Surrealist magazine View (1940–1947) in New York City, and directed an experimental film.