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Playwrights noticed their audience would be more responsive to clear messages rather than innuendos, double-entendres and hidden meanings, and thus altered their style of writing accordingly. The plain style was also used widely in Puritan practice, as sermons and poems were written and delivered in the plain style. This introduced the style to ...
The modern literary style is generally used in formal writing and speech. It is, for example, the language of textbooks, of much of Tamil literature and of public speaking and debate. Novels, even popular ones, will use the literary style for all description and narration and use the colloquial form only for dialogue, if they use it at all.
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit to memory. [2] "There were poets long before there were printing ...
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
It allowed us to build a dialogue, because we had never really spoken before then. There wasn’t a lot that we discussed during high school. I think he really genuinely wanted a relationship, whereas before I think he did want to, but he didn’t know how to approach it, he didn’t know how to approach us, he didn’t know how to approach me .
The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, while the verse in The Two Gentlemen of Verona has been described as stilted. [2] [3]