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Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
Patrick Lafcadio Hearn was born on the Greek Ionian Island of Lefkada on 27 June 1850. [2] His mother was a Greek named Rosa Cassimati, a native of the Greek island of Kythira, [3] while his father, Charles Bush Hearn, a British Army medical officer, was of Irish and English descent, [3] [4] who was stationed in Lefkada during the British protectorate of the United States of the Ionian Islands.
Kwaidan (Japanese: 怪談, Hepburn: Kaidan, lit. ' Ghost Stories ') is a 1964 Japanese anthology horror film directed by Masaki Kobayashi.It is based on stories from Lafcadio Hearn's collections of Japanese folk tales, mainly Kwaidan: Stories and Studies of Strange Things (1904), for which it is named.
Hōichi-dō (Hōichi's shrine) in Akama Shrine. Hoichi the Earless (耳なし芳一, Mimi-nashi Hōichi) is the name of a well-known figure from Japanese folklore. His story is well known in Japan, and the best-known English translation first appeared in the book Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn.
[1] [2] [3] The film is an expanded adaptation of the Yuki-onna short story as it appeared in the 1904 collection Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn. Plot [ edit ]
The third and final segment is a loose adaptation of the legend of the Yuki-onna from Lafcadio Hearn's 1904 book Kwaidan: Stories and Studies of Strange Things, also written by McDowell. "The Cat from Hell"—as well as another King story, Pinfall—was originally going to appear in Creepshow 2 but was scrapped, due to budgetary reasons. [2]
"The Dream of Akinosuke" (あきのすけの夢, Akinosuke no Yume) is a Japanese folktale, made famous outside Japan by Lafcadio Hearn's translation of the story in Kwaidan: Stories and Studies of Strange Things.
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.
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