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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Pakistan has literature in Urdu, Persian, Sindhi, Punjabi, Pashto, Balochi, English, and many other languages. [9] The Pakistan Academy of Letters is a large literary community that promotes literature and poetry in Pakistan and abroad. [10] The National Library publishes and promotes literature in the country.
Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
Pakistani art (Urdu: پاکستانی فن) has a long tradition and history. It consists of a variety of art forms, including painting , sculpture , calligraphy , pottery , and textile arts such as woven silk.
The Warli painting tradition in Maharashtra are among the finest examples of the folk style of paintings. The Warli tribe is one of the largest in India, located outside Mumbai. Till the 1970s, even though the tribal style of art is thought to date back as early as 10th century C.E. [ 1 ] The Warli culture is centered on the concept of Mother ...
By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
Dastangoi (Urdu: داستان گوئی) is a 13th century Urdu oral storytelling art form. [1] [2] [3] The Persian style of dastan evolved in 16th century. [4] One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled Dastan e Amir Hamza. [5]
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]