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The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function.
Medieval architecture was the art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque , Romanesque , and Gothic . In the fifteenth century, architects began to favour classical forms again, in the Renaissance style , marking the end of the medieval period.
Cathedrals are not always large buildings and there are no prerequisites in size, height, or capacity for cathedrals to serve as such beyond those required to be a typical church. A cathedral might be as small as the historic Newport Cathedral, a late medieval parish church declared a cathedral in 1949. That said, size, height, capacity, and ...
It attracted important medieval religious figures, including Saint Bernard, Abelard and Thomas Becket, who came there in 1164 to appeal to the Pope for support against Henry II of England. It was begun as a Romanesque cathedral, but as the walls were rising, the design was changed to Gothic and the proposed groin vaults replaced by rib vaults ...
Some medieval fortified churches, monasteries, and cathedrals survive in Portugal. These buildings were built either in Romanesque or Gothic styles. Romanesque examples are the Lisbon Cathedral and the Old Cathedral of Coimbra. Gothic examples are the Church of Leça do Balio and the Guarda Cathedral.
Most domestic buildings of the Romanesque period were built of wood, or partly of wood. In Scandinavian countries, buildings were often entirely of wood, while in other parts of Europe, buildings were "half-timbered", constructed with timber frames, the spaces filled with rubble, wattle and daub, or other materials which were then plastered over. [10]
Nidaros Cathedral, Norway, 1070-1300- Norwegian Medieval architecture was strongly influenced by journeymen English builders who have designed the western part of this building along the lines of Lincoln Cathedral which it strongly resembles. The long sloping roof and tall wood and copper spire is typical of Norway.
The Romanesque crypt of Chartres Cathedral was greatly enlarged in the 11th century; it is U-shaped and 230 m (750 ft) long. It survived the fire in the 12th century which destroyed the Romanesque cathedral, and was used as the foundation for the new Gothic cathedral. The walls of the crypt chapels were painted with Gothic murals.