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Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The crusader Kingdom of Cyprus outlived the Fall of Constantinople by a generation; the subsequent sale of the island to Venice led to a brief period of Italo-Byzantine painting. [1] In 1571 Cyprus fell to the Ottomans and the practice of ecclesiastic wall painting largely came to an end. [1]
Byzantine artisans were used in important projects throughout Italy, and what are called Italo-Byzantine styles of painting can be found up to the 14th century. Italo-Byzantine style initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
Italo-Byzantine (or maniera greca) painting is a term for panel paintings produced in Italy, and Western Europe generally, under heavy influence from the icons of Byzantine art, whose many variations of the subject of the Madonna and Child were copied, though the full Byzantine technique and style was not.
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Madonna and child, c. 1230, tempera on wood, now at the Metropolitan Museum of Art. Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century.
The 'Madonna Enthroned' shows the numerous styles of art that influenced Giotto. In both the gold coloring used throughout the artwork and the flat gold ground, Giotto's art continued the traditional Italo-Byzantine style usual in the proto-Renaissance period. The altarpiece represents a formalized representation of an icon, still retaining the ...
The painting was installed in the cathedral on 9 June 1311 after a procession of the work in a loop around the city. One person who witnessed this event wrote: And on that day when it was brought into the cathedral, all workshops remained closed, and the bishop commanded a great host of devoted priests and monks to file past in solemn procession.
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