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In 1971, Diaz was first introduced to the burgeoning graffiti culture by his older cousin Gilberto "SIETE" Diaz when he was just 12 years old. [4] His cousin lived in Washington Heights, which was a locus of graffiti production at the time, and taught Diaz about the traditional style of writing graffiti: combining a moniker, or nickname, with a number. [6]
Donnelly was born in 1974 in Jersey City, New Jersey, [6] where he attended St. Anthony High School.As a teenager, Donnelly created a tag for himself, KAWS (based on the way the letters looked—the word, in fact, has no meaning), which he painted on the roof of an area building so that he could see it outside while attending class in high school. [9]
Gant was active in the 1980s graffiti scene in New York City. [2] Influenced by African-American artists such as filmmaker Spike Lee, in the early 1990s, Gant started performing spoken word in New York City and Newark. [2] Gant creates artistic works textile and clothing design, metal sculpture, woodcarving, and wall murals. [5]
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Carroll N. Jones III (1944–2017), artist in the style of American realism [15] Kaws (born 1974 as Brian Donnelly), graffiti artist, limited-edition clothing and toy designer [16] Richard Lahey (1893–1978), artist who competed in the painting event as part of the art competition at the 1932 Summer Olympics(B) [17]
ZEPHYR, born Andrew Witten, is a graffiti artist, [1] lecturer and author from New York City.He began writing graffiti in 1975 using the name "Zephyr" in 1977. He is considered a graffiti "elder", who along with Futura 2000, Blade, PHASE 2, CASH, Lady Pink and TAKI 183 invented styles and standards which are still in use.
In 1989, he appeared as a graffiti artist in the feature film Slaves of New York. By the 1990s, Franklin began collaborating on product designs with high-profile brands such as Nike, [6] [7] Reebok, [8] Casio, [9] and more recently A Bathing Ape, Leica and Uniqlo. [10] [11] He still remains an active graphic designer to this day. [12]
Bip Apollo produces work internationally in both the luxury art market and urban art scene as a painter and sculptor. [8] Likewise, Bip has claimed publicly that his work is not committed to graffiti for graffiti’s sake but rather, dedicated to a spirit of resistance to skepticism and estrangement, so as to positively change the way people interact with their environment.
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