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Eric Haydock (born Eric John Haddock; 3 February 1943 – 5 January 2019) [1] was a British musician, best known as the original bass guitarist of the Hollies from December 1962 until July 1966. Career
The remaining Hollies reunited with original members Graham Nash and Eric Haydock in September 1981 for an appearance on Top of the Pops promoting "Holliedaze". [11] The following month, it was confirmed that Nash would remain with the group for a new studio album. [17]
When Quinn quit to join Freddie and the Dreamers in 1962, Clarke and Nash also quit and joined another Manchester band, the Deltas, consisting of Vic Steele on lead guitar, Eric Haydock on bass guitar, and Don Rathbone on drums, which had just lost two members including Eric Stewart, who left to join a "professional" band, the Mindbenders. [2]
Eric Haydock (born Eric John Haddock; 1943–2019), musician, best known as the original bass guitarist of The Hollies [63] Geoffrey Hayes (1942–2018), television presenter and actor [64] Jennifer Hennessy (born 1970), actress [65] James Hickman (born 1976), five times world champion swimmer; TV producer [66]
This was the Hollies' last album with original bass player Eric Haydock, who took a leave of absence from the group after the American tour that followed the last recording session for the album, missing the recording session for the follow-up single "Bus Stop". [2]
In 1981, the current line-up of The Hollies broke up after the departure of long-time guitarist Terry Sylvester and bassist Bernie Calvert. [1] Remaining members singer Allan Clarke, guitarist Tony Hicks and drummer Bobby Elliott invited founding Hollies' members Eric Haydock (bass) and Graham Nash to perform on the British TV show Top Of The Pops, where they played the current medley-hit ...
"I Can't Let Go" is the Hollies' first 1966 single, and their last with original bassist Eric Haydock. It peaked at number two in the UK and number 42 on the Billboard Hot 100 in the US. It is ranked as the 37th biggest British hit of 1966. [3]
Bus Stop is the fourth U.S. album by the British pop band the Hollies, released on Imperial Records in mono (LP-9330) and rechanneled stereo (LP-12330) in October 1966. It features songs ranging from both sides of the band's then-current hit single to material recorded in the Hollies' early days on the UK's Parlophone Records in 1963, 1964 and 1965.