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In a lesser known Michelangelo Pietà, The Deposition (c. 1547–1555), it is not the Virgin Mary who is holding Christ's body, but rather Nicodemus (or possibly Joseph of Arimathea), Mary Magdalene, and the Virgin Mary. There is some indication that the man in the hood is based on a self-portrait of the artist. [10]
The most substantial damage occurred on 21 May 1972 (Pentecost Sunday), when a mentally disturbed geologist, the Hungarian-born Australian Laszlo Toth, walked into the chapel and attacked the sculpture with a geologist's hammer while shouting, "I am Jesus Christ; I have risen from the dead!"
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
The Virgin is holding one of Jesus's arms, looking at him pathetically. In the middle is Mary Magdalene, with brilliant red clothes, forming one of the three vertexes of an ideal triangle, the others being Joseph and Nicodemus. At the sides are two groups of figures: on the left, John the Apostle and a Pious Woman, on the right three men who ...
The dead body of Christ, seeming unnaturally light, is supported by the Virgin Mary at left and Saint John the Evangelist at right. The hand of Christ is placed in the foreground on a marble slab, on which is Bellini's signature and a phrase taken from the Elegie of Propertius : HAEC FERE QVVM GEMITVS TVRGENTIA LVMINA PROMANT / BELLINI POTERAT ...
Bound by fate and driven by courage, Mary and Joseph go on the run to save Jesus’ life at all costs. Here, EW catches up with Caruso via email to discuss finding the perfect Mother of God ...
Detail showing the dead body of Christ. The work shows an enthroned and sorrowful Virgin holding the lifeless body of the dead Christ. The image is realistic and grim; his ribs protrude, his stomach is sunken and he shows visible signs of rigor mortis; [6] and he bears the bloody wounds of the Passion, with the stigmata on his hands, feet, and ...
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