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  2. It's Five O'Clock Somewhere (album) - Wikipedia

    en.wikipedia.org/wiki/It's_Five_O'Clock_Somewhere...

    It's Five O'Clock Somewhere is the debut studio album by American hard rock band Slash's Snakepit, released in February 1995.The album was a moderate commercial success, reaching number 70 on the American Billboard 200 album chart and selling over a million copies worldwide. [6]

  3. The Stewart Copeland Anthology - Wikipedia

    en.wikipedia.org/wiki/The_Stewart_Copeland_Anthology

    The Stewart Copeland Anthology is a fairly comprehensive overview of Copeland's solo work. It features mostly film music as well as three singles Copeland has released over the course of his career ("Too Kool to Kalypso" from his studio albums Klark Kent: Music Madness from the Kinetic Kid; "Don't Box Me In" from Rumble Fish; and "Koteya" from The Rythmathist).

  4. Slash's Snakepit - Wikipedia

    en.wikipedia.org/wiki/Slash's_Snakepit

    Slash's Snakepit was an American rock supergroup from Los Angeles, California, formed by Guns N' Roses guitarist Slash in 1994. Though often described as a solo or side project, Slash stated that Snakepit was a band with equal contributions by all members.

  5. I shop for a living, and these hangers are the best purchase ...

    www.aol.com/lifestyle/shop-living-hangers-best...

    Hangers with white dry-cleaner paper on them. Clip hangers that weren’t clipping anything, just hanging out. Mismatched hangers looked terrible and made me cringe every time I opened the closet ...

  6. Elliott Randall - Wikipedia

    en.wikipedia.org/wiki/Elliott_Randall

    Elliott Randall (born June 15, 1947) is an American guitarist, best known for being a session musician and performing with popular music artists. Randall played the well-known guitar solos on Steely Dan's song "Reelin' in the Years" and Irene Cara's song "Fame".

  7. Dirty Laundry (Don Henley song) - Wikipedia

    en.wikipedia.org/wiki/Dirty_Laundry_(Don_Henley...

    Among the differences in the single version are added keyboards on the intro, no teletype noises at 1:32 and 3:29, a slightly longer delay on the vocal echo throughout the song, a slightly different vocal take on the line "you don't really want to know just how far it's gone" at 3:00, removed or quieted guitar chord on the down beats during the ...

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