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A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
The term, bob and wheel, was first used by Edwin Guest in The History of English Rhythms. [2] The Pearl Poet uses the bob and wheel as a transition or pivot between his alliterative verse and a summary/counterpoint rhyming verse, as in this example from the first stanza of Sir Gawain and the Green Knight. The first 14 lines use a pentameter rhythm:
This is also quoted as an example of chained verse in George Lansing Raymond’s Rhythm and Harmony in Poetry and Music, where it is described as an example taken from "the excellent manual on English Versification of J. C. Parsons" which is probably James C. Parsons English versification for the use of students, Boston, 1891, which also quotes ...
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
The stressed vowel sound in both words must be identical, as well as any subsequent sounds. For example, the words kit and bit form a perfect rhyme, as do spaghetti and already. [4] [5] The onset of the stressed syllable in the words must differ. For example, pot and hot are a perfect rhyme, while leave and believe are not.
Rhyme schemes involving words stressed on the third-to-last syllable or earlier in the word are found in some poems but are relatively rare, especially in longer poetry. As in French, two words with the same pronunciation but different meanings can be rhymed, e.g., супру́га ("wife") and супру́га ("husband's").
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Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
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