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Pages in category "Motown cover albums" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. D.
The Supremes Sing Country, Western & Pop is the fourth studio album recorded by the Supremes, issued by Motown in February 1965. The album was presented as a covers/tribute album of country songs, as Ray Charles had done with his album Modern Sounds in Country and Western Music.
Motown [8] Tiggi Clay: Tiggi Clay: 6067CL Morocco [9] The Big Chill: More Songs from the Original Soundtrack: Various artists [10] 6094ML Motown Truly for You: The Temptations: Gordy Ain't No Turnin' Back: Phyllis St. James: Motown The Woman in Red: Stevie Wonder: 6108ML Motown Thomas McClary: Thomas McClary: 6121ML Motown [11] Glow: Rick James ...
A photo of the original album cover can be found on Motown 45 rpm promotional sleeves issued in early 1968. One of the album's singles, "Forever Came Today", was later covered by The Jackson 5 on their 1975 album Moving Violation. "In and Out of Love" was chosen to be the key song for the American Bandstand dance contest that year. Because of ...
TheGrio counts down the greatest albums ever released by artists from Motown Records. This August, two legendary albums, Stevie Wonder’s The post Top 10 Motown albums of all time appeared first ...
The Rolling Stone Album Guide praised the "magnificent" "Stoned Love", before lamenting the group's slide into "mere professionalism." [4] A Cashbox reviewer wrote: 'An apt title indeed for this new Supremes outing showcasing some of Motown's newer writers. And there's been a subtle change in the group along much the same lines as the Temps.
The entire album was recorded in one hour. The album's original cover featured an uncensored topless photo of Jackson from her Playboy shoot, although the album was re-issued with the photo cropped. The album was also later re-issued under the title Dance Collection. The album was digitally released in 2009 as The Motown Songbook. Only one ...
The group's contract expired in 1972 and most of the band members decided to leave Motown, but vocalist G. C. Cameron had married Gwen Gordy and had a different contract than the rest of the performers, so he departed the Spinners and encouraged them to add Philippé Wynne; [1] the renewed line-up recorded a string of successful albums produced ...