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The painting became part of the collection of the Museo del Prado, in Madrid, in 1819. [1] [2] Apollo in the Forge of Vulcan has been cited as one of the most important works from Velázquez's first trip to Italy [3] and "one of his most successful compositions with regard to the unified, natural interaction of the figures." [4]
Download as PDF; Printable version; In other projects ... Paintings of Apollo and Marsyas (7 P) ... Château en Espagne; D.
The intricate painting depicts figures circling around Tiepolo's rendering of Apollo, the sun god; this represents planets orbiting the Sun. The cornice of the painting symbolize the continents Europe, America, Africa, and Asia. [1] It was identified in the ceiling of a corridor at the Hendon Hall Hotel, London, in 1954.
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Since then, various scholars have postulated that the central couple represent Neptune and Salacia, [8] Glaucus and Scylla, [9] Venus and Triton, [7] and Peleus and Thetis. [ 7 ] [ 9 ] This scene is the most sexually explicit of the whole series because of the placement of the principal male figure's hand on the pubic region of his companion.
Ingres revisited the subject in several later works, including an undated watercolour (Lille, Musée des Beaux-Arts) and paintings such as Homer and His Guide (1861; Brussels, Royal Collection) and The Odyssey (Lyon, Musée des Beaux-Arts). In 1854 be began work on a drawing of the composition to be used as a model for the engraver Calamatta. [6]
Apollo as Victor over Pan (German: Apoll als Sieger über Pan, Spanish: Apolo, vencedor de Pan, Dutch: Het oordeel van Midas (Ovidius, Met. XI, 146-179)), also known as Apollo's Victory over Marsyas, Tmolus declaring Apollo winner in musical competition with Pan (Ovid, Metamorphoses XI) and Apollo and Pan, is a 1637 oil-on-canvas painting by Flemish Baroque painter, draughtsman and tapestry ...
The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades.In this context, the word Rape refers to the traditional translation of the Latin raptus ('seized' or 'carried off') which refers to bride kidnapping rather than the potential ensuing sexual violence.