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The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
Classified as a history painting, [4] The Storm on the Sea of Galilee is an oil-on-canvas painting and is about 160 x 128 cm in size. It was Rembrandt's earliest painting, completed when he was 29 years old, and it is the largest known historical work that he completed.
The Rembrandt House Museum has fittings and furniture that are mostly not original but period pieces comparable to those Rembrandt might have had, and those in the many drawings and etchings set in the house, and contemporary paintings reflecting Rembrandt's use of the house for art dealing. His printmaking studio has been set up with a ...
Belshazzar's Feast is a major painting by Rembrandt now in the National Gallery, London. [1] The painting is Rembrandt's attempt to establish himself as a painter of large, baroque history paintings. [2] [3] The date of the painting is unknown, but most sources give a date between 1635 and 1638. [4] [1]
The Night Watch is one of the most famous Dutch Golden Age paintings. Rembrandt's large painting (363 by 437 centimetres (12 by 14 + 1 ⁄ 2 feet)) is famed for transforming a group portrait of a civic guard company into a compelling drama energized by light and shadow . The title is a misnomer; the painting does not depict a nocturnal scene.
Art appraiser and auctioneer Kaja Veilleuxwas was on a routine visit to a private estate in Camden, Maine, when he came across a 17th-century painting by Rembrandt Harmenszoon van Rijn—the ...
Rembrandt painting sought after by 3 persistent bidders. On Aug. 24, bidders from around the world sought after the piece, but it was the prices offered by a persistent three that led to the $1.4 ...
Art historian H. W. Janson writes that Prodigal Son "may be [Rembrandt's] most moving painting. It is also his quietest—a moment stretching into eternity. So pervasive is the mood of tender silence that the viewer feels a kinship with this group. That bond is perhaps stronger and more intimate in this picture than in any earlier work of art." [6]
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