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Richard Tobin (Irish: Risteárd Tóibín; 1766 – December 1847) was an Irish luthier and maker of violins, violas, cellos and pochettes. [2] Tobin's work was largely uncredited, often branded under the names of his employers and other shops that enlisted him for his sought-after workmanship. [1] As a luthier, he has been described as "a ...
The Universal Dictionary of Violin & Bow Makers is a widely cited reference work providing information on approximately 9,000 violin makers. The work is based on the extensive notes of violinist and composer William Henley (1874-1957) .
Ernst Heinrich Roth (1877–1948), also often referred to as Ernst Heinrich Roth I to distinguish him from later family members of the same name, was a German luthier and master of a large and successful violin-making workshop in the East German town of Markneukirchen, near the current border with the Czech Republic.
Heinicke developed into one of the main representatives of violin makers in Bohemia in the first half of the 20th century. [2] After his return in 1897, he set up his own workshop in Wildstein near Eger. Formal and decisive for his instruments were the old masters Stradivari and Amati, after whose models he made his own violins. Heinicke did an ...
John Juzek (né Janek Jůzek, aka Jan, aka Johann;1892, Písek – c. 1965, Luby) was a Czech merchant, widely known in North America as an exporter of violins, violas, cellos, and double basses made and labeled under his anglicized name, "John Juzek," crafted mostly by guilds and various independent makers in the Bohemia region of the Czechoslovakia and Germany border.
Gagliano is the name of a famous family of Italian luthiers from Naples, dating back to the early 18th century. The Gagliano dynasty – particularly Alessandro, Nicolò I and Gennaro – are considered the high point of Neapolitan violin making. There are as many as eighteen Gagliano violin makers known worldwide today. Below is a family tree ...
The violin-like instruments that existed when Amati began his career only had three strings. [10] Amati is credited with creating the first four stringed violin-like instrument. [ 11 ] Laurence Witten also lists Amati and Gasparo' da Salo, as well as Pellegrino de' Micheli , also from Brescia; as well and Ventura di Francesco de' Machetti ...
Other violin makers also tried to imitate and appropriate his name in England; none of which reached the quality of Duke's better violins. Violin expert Charles Beare wrote, that "Duke has been flattered and at the same time insulted by 19th-century imitations of his work." [1]
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