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While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25] Eliot also met Aldous Huxley and Katherine Mansfield, as well as members of the Bloomsbury Group, in London in 1916, although he did not meet Leonard and Virginia Woolf until two ...
Pound, who was living in London in 1919, was helping Eliot revise the poem (encouraging him to delete roughly one third of the text). When Eliot proposed publishing Gerontion as the opening part of The Waste Land, Pound discouraged him: "I do not advise printing Gerontion as preface. One don't miss it at all as the thing now stands.
Eliot himself employed this concept on many of his works, especially on his long-poem The Waste Land. [93] Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the words of the text and events, states of mind, and experiences. [94]
Within Eliot's own poetry, the five sections connect to The Waste Land. This allowed Eliot to structure his larger poems, which he had difficulty with. [16] According to C. K. Stead, the structure is based on: [17] The movement of time, in which brief moments of eternity are caught. Worldly experience, leading to dissatisfaction.
The character of Doris also appears with Sweeney in the poem "Sweeney Erect" [5] and Eliot used the name Doris in a collection of three poems published in November 1924 in Chapbook magazine. The third of "Doris's Dream Songs" ("This is the dead land/This is the cactus land") was later incorporated into Eliot's poem "The Hollow Men". [6]
Wasteland (mythology), the Celtic motif of the land of the Fisher King; Wasteland, a 2003 novel by Francesca Lia Block "Wastelands" (short story), a 2002 short story by Stephen Dedman; The Dark Tower III: The Waste Lands, a 1991 novel by Stephen King; The Waste Land, a 1922 poem by T. S. Eliot
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The book is mostly disregarded today, though T. S. Eliot credited it as the source of the title and the largest single influence on his famous poem The Waste Land. The Wasteland is depicted in the 1981 John Boorman film Excalibur, Boorman's retelling of the Arthurian legend. [1]
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