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The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
The lighthearted, forward-looking attitude and fashions of the late 1920s lingered through most of 1930, [3] but by the end of that year the effects of the Great Depression began to affect the public, and a more conservative approach to fashion displaced that of the 1920s. For women, skirts became longer and the waist-line was returned up to ...
Over the years many libraries, video rental stores, and art house movie theaters began centering their programming around film noir and crime fiction in the month of November. [9] Several streaming platforms [ 10 ] like Tubi , [ 11 ] Kanopy , [ 12 ] and Criterion Channel [ 13 ] offer film noir programming in November for movie fans who ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The film noir's light touches are magnificently caught in the rich depiction of rural life and the character study of a psychological breakdown due to a pressured psyche that induces schizophrenia. This makes for a fascinating watch. So Dark the Night is a rarely shown obscure film, and it is a beauty. Burnett Guffey used his camera effectively ...
Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". [2] They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals.
Force of Evil is a 1948 American film noir starring John Garfield and Beatrice Pearson and directed by Abraham Polonsky. It was adapted by Polonsky and Ira Wolfert from Wolfert's novel Tucker's People. [3] Polonsky had been a screenwriter for the boxing film Body and Soul (1947), in which Garfield had also played the male lead.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.