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The primary literary influence on film noir was the hardboiled school of American detective and crime fiction, led in its early years by such writers as Dashiell Hammett (whose first novel, Red Harvest, was published in 1929) and James M. Cain (whose The Postman Always Rings Twice appeared five years later), and popularized in pulp magazines ...
Cinéma du look (French: [sinema dy luk]) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [1] in which he classified Luc Besson, Jean-Jacques Beineix and Leos Carax as directors of the "look".
Kino Lorber holds a yearly Noirvember sale [14] on all their film noir titles every November. In 2016 and 2017, the blog for popular screenwriting website The Black List hosted a series of articles for Noirvember focusing on classic film noir written by prominent screenwriters and filmmakers such as Amber Tamblyn , Josh Olson , Richard Kelly ...
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Impact is a 1949 American film noir drama film starring Brian Donlevy and Ella Raines. Directed by Arthur Lubin, it was shot entirely in Northern California, including scenes in Sausalito at Larkspur in Marin County, on Nob Hill in San Francisco, and throughout the Bay area. The screenplay was based on a story by film noir writer Jay Dratler.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The Tattered Dress is a 1957 American CinemaScope film noir crime film released by Universal Pictures and directed by Jack Arnold. It stars Jeff Chandler , Jeanne Crain , Jack Carson , Gail Russell and Elaine Stewart .
Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. [64] The film got negative reviews. In a review for The New York Times , art critic Roberta Smith states that the film lacks the artist's usual finesse and is a retrospective of her work - "a fascinating if lumpish bit of Shermaniana."