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"The 59th Street Bridge Song (Feelin' Groovy)" is a song by folk rock duo Simon & Garfunkel, written by Paul Simon and originally released on their 1966 album Parsley, Sage, Rosemary and Thyme. [4] Cash Box called it a "sparkling, spirited lid".
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
Parsley, Sage, Rosemary and Thyme is largely characterized by sharp contrasts from song to song. [8] Simon found it difficult to write new songs; biographer Peter Ames Carlin notes that the sequence of promotion, including concerts and interviews, made Simon feel out of his element.
After the band's initial chart ascendancy with "The 59th Street Bridge Song (Feelin' Groovy)", none of Harpers Bizarre's subsequent singles achieved the same level of success. "Chattanooga Choo Choo" did reach No. 1 on Billboard 's Easy Listening chart, despite a drug reference ("do another number down in Carolina"). The band broke up shortly ...
Feelin' Groovy is the debut album by the American sunshine pop band Harpers Bizarre, released in 1967. The record peaked at #108 on Billboard' s Top 200 Albums chart in May 1967. Over on the Hot 100 Singles chart, " The 59th Street Bridge Song (Feelin' Groovy) " peaked at #13 in February 1967 and " Come to the Sunshine " peaked at #37 the ...
Producer Ted Templeman said of the a cappella section of "Black Water": "I stole the idea from my old producer", [4] referencing his stint as lead singer of sunshine pop act Harpers Bizarre whose 1967 hit rendition of "The 59th Street Bridge Song (Feelin' Groovy)" had featured a harmonic a cappella section (Harpers Bizarre had been produced by ...
Busse, W. G. (2002): Toward Objective Measurement and Evaluation of Jazz Piano Performance Via MIDI-Based Groove Quantize Templates. Music Perception 19, 443–461. Clark, Mike, and Paul Jackson (1992) Rhythm Combination, realisation Setsuro Tsukada. Video recording, 1 cassette (VHS). Video Workshop Series. [N.p.]: Atoss.
Structurally, it is largely composed of the chords of D and E♭ that are performed by Cavaliere on his piano during the choruses in a 6/8 time signature before alternating. [13] During the verses, the chord of F♯ largely substitutes the chord of D, though also marks the appearance of the chords of G and A through a modulation that appears ...
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