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  2. Accompaniment - Wikipedia

    en.wikipedia.org/wiki/Accompaniment

    To achieve a stylistic correct sound the accompaniment pattern should remind or imitate the original version using similar rhythms and patterns. Chord-playing musicians (e.g., those playing guitar, piano, Hammond organ, etc.) can improvise chords, "fill-in" melodic lines and solos from the chord chart. It is rare for chords to be fully written ...

  3. Ostinato - Wikipedia

    en.wikipedia.org/wiki/Ostinato

    Here, the ostinato pattern stays in the middle register of the piano – it is never used as a bass. "Remark that the footfall ostinato remains nearly throughout on the same notes, at the same pitch level... this piece is an appeal to the basic loneliness of all human beings, oft-forgotten perhaps, but, like the ostinato, forming a basic ...

  4. Rhythmic mode - Wikipedia

    en.wikipedia.org/wiki/Rhythmic_mode

    Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...

  5. Comping (jazz) - Wikipedia

    en.wikipedia.org/wiki/Comping_(jazz)

    "Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.

  6. Tresillo (rhythm) - Wikipedia

    en.wikipedia.org/wiki/Tresillo_(rhythm)

    The tibwa rhythm also provided inspiration for the chouval bwa and then for zouk (two Antillean popular music). In zouk, the rhythm is often simplified to an almost-constant 3+3+2 motif and played with rimshots on the snare while the chacha or hi-hats play the cinquillo-tresillo rhythm.

  7. Polyrhythm - Wikipedia

    en.wikipedia.org/wiki/Polyrhythm

    Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]

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